Her purity means nothing to him anymore, now that he believes she has given it to someone else. Othello finds that love in marriage needs time to build trust, and his enemy works too quickly for him to take that time.
Two deeds upon the part of Othello have now brought him into active collision with other persons, and the two are related to each other. Iago convincingly manages to do this by leaving several clues, which come together successfully. This appears to be his starting point for hating Othello, and feeds on the unlikely match of a coloured soldier to a young beautiful Venetian woman.
There is also the matter of her approach to Othello regarding the reinstatement of Cassio. It is not so much the wilful disrespect to her father that is the fault of Desdemona, though some critics make a great deal of this, but the fact that in marrying Othello she showed a wilful disregard of her own highest interests.
Once again, he speaks with calm rationality, judging and condemning and finally executing himself. Iago often falsely professes love in friendship for Roderigo and Cassio and betrays them both.
This language symbolises the purity of Desdemona being corrupted by Othello who is seen as a bad match based on his race, age and position as a soldier.
He has also stolen away Desdemona from her father, and secretly married her, making an enemy of Brabantio, who had been one of his greatest admirers among the Senate. Come, go with me apart, I will withdraw To furnish me with some swift means of death For the fair devil. The immediate attraction between the couple works on passion, and Desdemona builds on that passion a steadfast devotion whose speed and strength Othello cannot equal.
Iago is successful because he can play a number of roles convincingly, and is able to adapt his tone and style to suit every occasion. He determined she did wrong and she deserved to be doomed. And in The Merchant of Venice, about whose authorship there can be no doubt, and which is earlier than Othello, he had previously portrayed a Moor as a suitor for the hand of Portia, and presented him as unsuccessful.
Love In Othello, love is a force that overcomes large obstacles and is tripped up by small ones. Eventually this works and Othello plans to murder her. Another popular opinion of some women at that time was that they were adulterous and fickle.
Shakespeare undoubtedly approves such choice when it means a larger and fuller life. It provides Othello with intensity but not direction and gives Desdemona access to his heart but not his mind. Why, that the Moor first gave to Desdemona, That which so often you did bid me steal.
Desdemona likewise offers her plea and says she has found the necessary compensation in his "mind" and in his "valiant parts.
There need be no attempt to deny the reality of the love of these two, and its effect upon their development, but it was not strong enough or natural enough to overcome all its enemies, as a true and natural love like that of Romeo and Juliet can do.
She is highly regarded and recommended by others, and the breakdown of this trust between her and Othello proves Iago to have achieved quite a feat. Shakspere His Mind and Art, p. He says of her: These words let us see where Desdemona got her wilfulness, and relieve us of the necessity of grieving much over the sorrows of her father in this most unfortunate marriage.
The proper understanding of the relations of Othello and Desdemona is equally important with the question of the relations of lago and Othello. When Desdemona misplaces this handkerchief Othello comes to the conclusion that she has cheated on him, due to the insinuations Iago has successfully planted in his mind.When Desdemona is brought into court to speak for herself in the matter of the marriage, she declares that she freely and lovingly takes Othello for her husband, and intimates that she is willing to take all the consequences of that act.
he had previously portrayed a Moor as a suitor for the hand of Portia, and presented him as unsuccessful. To what extent is Desdemona presented as a tragic victim in the play ‘Othello’?
Desdemona, the daughter of Venetian senator Brabantio, is captivated by Othello’s fables of bravery as a warrior and she falls in love with him. Leavis is very clever in making this statement, and his statement can say Othello is not presented as a tragic hero.
A sense of “it was doomed before the start” is shown in Act 1, scene 3, where Desdemona has her very first words.
Free Essay: To what extent is Desdemona presented as a tragic victim in the play ‘Othello’? Desdemona, the daughter of Venetian senator Brabantio, is. Desdemona's love in friendship for Cassio is real but is misinterpreted by the jealous Othello as adulterous love.
The true friendship was Emilia's for Desdemona, shown when she stood up witness for the honor of her dead mistress, against Iago, her lying husband, and was killed for it. Plays are meant to be seen, preformed and interpreted, so how is Desdemona truly presented?
mi-centre.com defines a victim as ‘a person who is deceived or cheated, extent is Desdemona presented as a tragic victim in the play.Download